Hailing from the remote location of Perth, West Australia, saxophonist and multi-instrumentalist Troy Roberts has received numerous accolades including three DownBeat SM Jazz Soloist Awards, 2 Grammy Nominations, and was semi-finalist in the 2008 Thelonious Monk International Jazz Saxophone Competition.  Graduating with a Bachelor of Music at the young age of 19, he has performed around Europe and the US extensively with artists such as Jeff ‘Tain’ Watts, Joey DeFrancesco, James Morrison, Aretha Franklin, Van Morrison, Christian McBride, Sammy Figueroa, Billy Hart, Dave Douglas, Orrin Evans and Kurt Elling to name a few, and also completed a Masters Degree at The University of Miami.  As an educator, Roberts has presented numerous masterclasses and clinics at prestigious colleges, conservatoriums and universities around the world.

In 2012, he shared the stage in an international septet comprised of jazz giants Wayne Shorter, Richard Bona, Vinnie Colaiuta and Zakir Hussein for Herbie Hancock’s launch of International Jazz Day at The UN, NYC.  He was also part of Hancock’s 2014 International Jazz Day held in Osaka, Japan performing with jazz luminaries such as Gregory Porter, Marcus Miller, Roy Hargrove, Esperanza Spaulding and John Scofield.  As a long-time New York City resident, Troy maintains a busy performance and recording schedule around the globe with some of the greatest jazz artists of today, and is currently celebrating his fourteenth release as a leader, ‘NU-JIVE: Nations United’ (Toy Robot Music).

“Roberts’ sixth release as a leader, “Secret Rhymes” is confirmation that redefinition of familiarity is entirely possible, and this will long be considered a new standard for years to come. This project embodies the spirit of contemporary improvised music in its purest and most urgent state, while maintaining the characteristics of nurturing and delicacy that give it balance and scope.”

– Greg Osby

“Roberts is a boisterous and effusive player, conversant but not busy. ‘Secret Rhymes’ has a bounce to it and Roberts excels here as a leader, with an awesomely arranged album with just a touch more arch than one can legally call straight-ahead.”

– DownBeat Magazine

“Whilst it’s not common to display virtuosity, it’s even rarer to be wonderfully creative while doing so. But the rarest of all gifts is to have a unique voice; a sound that is unmistakably your own, Troy Roberts has this gift. He amply demonstrates that it’s possible to pay homage to the great tenor players of jazz and still create a fresh approach that leaves the listener always in anticipation of what he’ll come up with next.” 

– James Morrison

“While jazz is so strongly identified as swing, it is nice to see the next gen carving out their sound and ideas. Roberts, along with his well-equipped ensemble, is certainly up to the task – creating a jazz record that employs great playing and abundant ideas. Roberts, though young in age, certainly has an arsenal of abilities under his belt, and has the makings and foundation of a lasting great saxophonist. Versatile in style, with a strong grasp of yesterday and today, he is a force to be reckoned with no matter the setting. He is more than one to watch, he is one to follow closely.” 

– JazzTimes Magazine

“…Substance and style will triumph over pretentiousness and ego every time. Roberts has a resume that will certainly make one sit up and take notice having shared the stage with such luminaries as Nicholas Payton, Orrin Evans and John Clayton. Nu-Jive 5 is Roberts fifth release as a leader and is brimming with vitality and that certain pop of originality that separates the “artist” from the “musician”…” 

– Critical Jazz